December 19 2013 § 16 Comments
Sea Change on the Horizon
The past few months have been the beginning of a watershed. A slight change of life style and direction. Only slight of course, I don’t like drama.
I have been living in Fremantle, Australia, for close to 40 years. Those years have been great fun, sometimes profitable and sometimes a touch irritating when it comes to glancing at the pile of bills alongside the bank statement. I imagine a few people experience that feeling.
I’ve pretty much covered Australia from top to bottom and side to side. Produced a number of books and written umpteen articles about everything from mining, agriculture, prospecting, cattle rustling, rodeos, fishing, pearling, diamonds … it goes on.
Now, with massive changes in the media resulting from new technology, great changes in photography for similar reasons and changes in my mind for no particular reasons, I have made a decision to take a sideways shift in lifestyle.
Bali, peaceful and charming
Fremantle is a little over three hours flying time from Bali, a place I enjoy for it’s laid back lifestyle, peaceful culture and charm. Thus I thought “Why not work from Bali?” It costs very little to live here in reasonable comfort and it is a convenient point to reach pretty well anywhere in Asia. So now I’m spending a few weeks here looking for a suitable place with two or three bedrooms, a swimming pool and space for an office. Thus I can live a ‘fly in fly out’ lifestyle and friends are welcome to drop in when they wish.
The idea is to carry on doing what I do, produce a few more books of one sort or another, write a few articles and not make any rigid rules. I don’t do stress.
I’ve also made a commitment to shoot more film, black and white, as well as the digital colour necessary for articles. More on that later but I have bought myself a rather indulgent Christmas present. I’ll show and tell in a later post, probably mid January.
Here’s the view from what I refer to as my ‘Lunch Office’. I also have a ‘Coffee Office’ and a little further down the road a ‘Beer Office’.
I confess that I do enjoy taking snaps on my iPad. This was a straight shot which went through a sort of random button pressing process on the Snapseed App which is far more entertaining than any computer games.
September 20 2013 § 3 Comments
Well, you can’t say I didn’t warn you. The WordPress App is a real bugger to operate and I had to trash the last post as the pictures were too small. Naturally it transpired it was my fault. At some moment in time I’d changed the picture size, then couldn’t find out how to change it back.
Anyway, I think I’d said that this trip has been a photographic smorgasbord, a real feast, and rather than write a lot of guff off said I’d post a few pictures taken thus far. They are not necessarily my favourite shots but are among those I really enjoy.
I did however find it relatively easy to put captions into place and also admitted that I had used what I call the ‘dynamite’ button on the Snapseed App on a few of them. Probably all of them if I think about it.
Markets are always a happy hunting ground for pictures. This was taken in Hoi An, famous for it’s cloth market but in this case I was more interested in the garlic and the knife which had been used by the stall holder for the best part of her life.
I was walking around the back streets of Quy Nhon one night when I looked though the door of what I assumed was an abattoir and saw this cow, I assume it was a cow, who was beyond help. I asked a guy, who happened to be holding a large knife, if he’d mind me taking a picture. I hated to think of the consequence of upsetting him.
I couldn’t resist this shot. An old fellow was resting beside his market stall and had propped his feet on his scales. After I’d taken the picture I asked if he minded. He was delighted and happily posed for a portrait but it didn’t match this shot.
September 15 2013 § Leave a comment
Actually this is the last part of a blog I started a few days ago. I had to divide it into three sections as I was having problems. I’ve also added a bit.
A few weeks ago I was holding a workshop at the Ballarat Foto Biennale. I was fairly happy with the way the workshop operated and particularly happy to have been at the festival. Being able to view the work of a lot of talent is inspiring and every time I go to a festival I find a little bit of inspiration rubs off and sticks. Apart from that I caught up with many friends I hadn’t seen for years. I’ll come back to that in a later blog.
As it happens I’m in Vietnam in blistering heat and humidity and loving it. I’m getting a swag of pictures and a few of them I’m very happy with – I haven’t shown them here yet but will wait until I get a proper edit finished.
I also get a bit of entertainment with them, playing around with the baby brother of Silver Efex – Snapseed, a great App for the iPad and a lot more fun than computer games. I’ve included a few pictures, more or less at random, in the blog. I’ve played around with them a little and will try and get a few more off in a couple of days.
A couple are shown here, before and after versions.
Snapseed – The App of Choice>
I’m a fairly judicious shooter, having been trained on 4×5 sheet film and roll film. I also edit in the camera during a coffee break, simply deleting the junk (and there can be a fair amount). Then, at the end of a day, I sit and download a few of the better pictures on to the iPad.
I also get a bit of entertainment with them, playing around with the baby brother of Silver Efex – Snapseed, a great App and a lot more fun than computer games. I’ve included a few pictures, more or less at random, in the blog. I’ve played around with them a little and will try and get a few more off in a couple of days.
A couple are shown here, the before and after versions. I explained previously that I’m shooting with the Leica X2. I have the camera ‘de-tuned’ as I call it. It has been set on ‘Low Contrast’, ‘Low Saturation’ and the lowest sharpening. When shooting with film, especially in contrasts light, it is a battle to retain a full dynamic range between the highlights and shadows. As a general rule it’s easier to print contrast up rather than cut it back. I find the same applies when shooting digitally. Thus I find the X2 delivers a very nice working jpg in most situations. Sometimes I like to help it along.
This picture was taken a few day ago at Hoi An. It’s a bit of tourist trap but the great pleasure is that all traffic, other than push bikes, is banned from the old city’s streets. This shot is taken along the river and I have to confess it’s a bit of theme park, the sort of place I avoid, but it’s done well.
September 14 2013 § 4 Comments
Well, after yesterday’s attempts at getting a blog out I’ve decided that for the rest of this trip it should be a blogette. Little and oftenish. This is going out on the WordPress App (I hope). It’ll be more of what I tried to get out yesterday.
Today I came up the coast from Hoi An to Hue where I,m ensconced in a really top hotel which is setting me back the the best part of twenty bucks a night … cheaper than being at home. And there are bowls of fruit, complimentary drinks and views over the city chucked in.
Anyway, enough of that:
Once more on the Dragon Trail
Again, I’m chasing dragons in Vietnam and after a few days in Saigon meandered up the coast and am now in the old town of Hoi An whose principle purpose seems to be a training ground for touts offering everything from cold beer to hot women. Thus far I’ve fallen for the former but avoided the latter. In fact I shouldn’t be too flippant. The people are delightful; friendly, really hard working and obviously trying to make a quid. I wish I had their tenacity and patience.
It’s becoming obvious that this and the previous trip will produce enough material for a book. It’s a photographic smorgasbord which has me being very critical of myself in that it’s difficult to get anything different. How on Earth do you avoid cliches? How do you get pictures which are remotely different? I wish I knew.
I decided to use one camera, the Leica X2 which has a fixed 35mm equivalent lens and does produce remarkable quality. It’s light, it seems to be bullet proof (I’ve dropped it twice) and just feels good. The focussing is very fast in most conditions and I do like the manual exposure control as well as the spot meter though for the most part I use a fixed shutter speed and leave the aperture on auto. I also have an optical finder which I tend to use happily in much the manner of my M6s.
When on these trips I don’t back up. It just means carrying more gear and wasting more time. I take a handful of 4gb cards and use about two a day when in what I call ‘shooting mode’ (as opposed to eating, sleeping, drinking, travelling mode). That equates to roughly six rolls of 35mm film a day which is about what I used per day in the good times. I use 4gb cards for two reasons. Each will burn perfectly on to a CD and if I happen to lose one it’s not the end of the world.
I had intended to shoot film on this trip, being addicted to TMax 400. However a touch of common sense did prevail so I’m shooting with the X2 set on RAW plus high quality black and white jpgs. A point which has a largely been overlooked by reviewers of the X2 and other Leica digital cameras is the phenomenal in-camera jpg processing. The software built into these cameras all makes post processing redundant unless, like me, you feel like going a bit silly now and then.
Here are a few random shots from the past week or so. I may not be able to get captions on them and, if it proves to be a problem, won’t even try. Please feel free to have a guessing game.
Loved this group in one of Saigon’s Parks. At weekends, particularly on a
Sunday, the open spaces are full of people of all ages socialising and generally speaking enjoying life.
While on the theme of in park entertainment there happened to be a small park at the back of the Ho Chi Minh City Conservatory of Music from where students would wander out and have impromptu rehearsals and micro concerts.
And this one is just to underline the musical theme
This was taken in a back street in Quy Nhon. I was walking past and found this man operating a lathe. The whole thing was incongruous in that his workshop was set in a row of general shops selling anything from umbrellas to bits of pigs.
All pictures copyright Roger Garwood 2013
June 27 2013 § 7 Comments
There comes a time when some treasured things have to go …
It was my son Ben’s birthday last Friday 21st June. He happened to be born on the day of the winter solstice and, as a small birthday present I took him and one of my grandsons, Sam, out to breakfast at a local restaurant.
As it happens Ben is a successful young bloke on a career path which most people dream about. Heaven knows where he got his brains from but it wasn’t me. He certainly had the brains not to go into photojournalism or any sort of media. Needless to say I’m exceedingly proud of him and the family of Garwoodies – Bek, my daughter-in-law and two grandsons, Josh and Sam.
All that stuff aside I am always left with the problem of what to give a bloke who has everything he needs in life. Well, I think he has anyway. I have, over the past few years, been passing a few of my own ‘treasures’ over to him. Little things I’ve lived with and enjoyed. They don’t amount to a lot but are the sort of things we become attached to.
I have been staring at my two oldest cameras, a couple of Leica M2s, the very first cameras I bought. That was back in April and May 1963, 50 years ago. They have been sitting on the mantlepiece over the fireplace, staring back at me and reminding me of my career in a very pleasant fashion. Now and again something flashes through my mind and I’ll look at them and say: “Remember that?”. They stare at me with blank eyes.
And so it was I decided this year, after 50 years media use, they should go to Ben for safe keeping, a part of family history. One of them is buggered – too much salt water inhalation – the other is working perfectly. They actually got pensioned off about 15-18 years ago as I have a handful of M6s and an old M4-2 which fill their shoes these days.
When I give Ben ‘stuff’ I write a little of the history, A few pages which help him to know a little about my life. I do this because I know virtually nothing about my own family background and don’t want him left in the same position.
I Saved the World
In short I explained that I was studying engineering and hated it. In fact I pride myself in the fact I may have saved the world. By quitting engineering I didn’t design planes which fell out of the sky, bridges which collapsed or ships which sank faster than a stone. The world owes me!
I happened to be sitting in a physics lecture next to a friend, Alan Draper, and can remember leaning over to him and whispering: “You know something? I’ve got a feeling I want to be a photographer”.
Until that moment I had never given it much thought. I was an avid newspaper and magazine reader. Many years later I realised that my mother, in teaching me to read before I went to school – we only had newspapers and magazines – The Daily Mirror, Daily Express, Illustrated and Picture Post in the house – had hot wired me and conditioned me for a career in the media. Thus, no sooner had I made the decision, in April 1963, than I also decided I had to work in Fleet Street. Not only that but I had a clear insight as to whom I wanted to work for – Paris Match – which was a regular publication stocked in the college library and had a reputation for being a hard hitter.
How come Leicas? Well, I was rushing for a train and picked up a magazine – Photography – from a news stand at the railway station. In it was an advert for the Leica M3. The punch line, after the general advertising guff was: “It still expects you to find the picture” or something like that. Check it out … I still have it after 50 years.
In retrospect I like the opening line too – “The Leica does not set out to do your thinking for you”.
It’s a short story as to how I got going and I may tell that later. All in all I can say it was pure arse – fortune shone on me very quickly. I sit here writing this and wishing fortune would recharge its batteries!
So last Thursday the old Leicas were gift wrapped and handed over with very little ceremony but stirring many, many, memories.
Aside from covering news and shooting a lot of features I used one or the other of these to stroll around the streets, mainly in London, and do a bit of street shooting.
In the past few days I’ve been travelling down memory lane and scanning some of those early images. I don’t know that these are the best as I’m still sifting through boxes of negs. Here are a few. Non of them have been worked on in LightRoom. They’re straight scans from the Nikon Coolscan V. I’ll work on them another time so please forgive the scratches and drying marks.
Big Gap Here
I ran out of time after starting this entry. I’m going to add a few scans and then catch my breath a bit.
I had been covering the coalminers’ strike in England. I can’t really remember if it was 1973 or ’74. I’d spent the morning down one of the pits, wading waste deep through water, crawling along filthy passages and getting totally filthy. I’d gone down at the invitation of union members who were striking for a wage of 5000 pounds a year. When I got to the surface, showered and cleaned up and joined the miners in their social club I was asked what I felt about the situation. With great honesty I said I wouldn’t do their work for 5000 quid a week, let alone a year. As I left, I saw this miner munching at a pie and asked if he’d mind me taking a picture. Shot with a Leica M2 and 35mm Summilux on Tri X.
This shot amused me. I was wandering around and looking at the sign, a theatre poster, thinking somehow it had to make a picture when this old fellow wandered along, stopped, and looked into the magnifying glass.
I’m not that interested in ballroom dancing. People gliding around a dance floor, stately as galleons, don’t do much for me. I can only say I must have registered an interest in off floor pictures. I may have been attracted to the dancers legs but can’t be sure of that. Leica M4, Noctilux, Tri X
I’ll post a few more of these old shots later. In the meantime there are still a few places in my workshop at the Ballarat Photo Festival (BIFFO) in August. Check out the details at
June 4 2013 § 4 Comments
Trawling the Files
I spent a few days nursing one of those damned head colds which cause victims to reach out for a bit of loving care and attention and, when they don’t get it, to reach for the ‘medicinal uses only’ whisky bottle. This was a half bottle cold.
Being one of those characters who always seems to find his bread falling buttered side up I had a friend bring around some beautiful home made soup and another who arrived with a bottle of whisky. Both of them made me wish I could have more colds to use as bait and attract these people more often.
The upside of colds is that they offer an excuse to meander through the files and dredge for forgotten pictures.
Here’s a few to keep the ball rolling. I like pictures to be a little whimsical, something which may put a smile on peoples’ faces. At the very least I like pictures to have an obvious reason for being taken.
There’s something funny about photographers. They always take up a sort of crouch when shooting.Sometimes I’ve seen them stand on a chair, then they crouch a little which takes them down to their normal head height.
I was out shooting with my photo buddy Lidia D’Opera on what we termed a ‘pooch mooch’. Lidia was working on a book about dogs and I became a sort of deputy dog spotter. We both got this shot, how could you resist it? Check Lidia out at http://www.lidiadopera.com.au and look for her books.
An artist working at Fremantle Markets. He’s there every weekend come hell or high water. The picture at the top left is a self portrait I think
This was taken in Saigon. Somewhere under the plastic is a man selling newspapers. He’s sheltering from the rain.
And this is a nice closing shot for now. I get the impression they were good friends.
May 29 2013 § 8 Comments
Time Travel in the Slow Lane
I promised part II of this odyssey some weeks ago, in fact about three months ago. However, time waits for no man (or person depending on how politically correct we feel we should be). Thus I found myself sidetracked by a trip to Bali, a lot of writing and, better still, a few weeks of good old fashioned darkroom printing. That has been followed up with preparing notes for a workshop I’m giving at the Ballarat International Foto Biennale in August. (http://ballaratfoto.org/garwood-workshop/). I will also be reviewing portfolios.
Also I freely admit that if anything looks as though it is going to interfere with my stroll to the cafe in the mornings it gets put off – forever.
The whole idea of travelling with the dragons is outlined in the original post (February). It was in fact a story which went off at another angle. I had intended to photograph the Mekong Delta in the wet season, the monsoon, but it didn’t rain. Thus I turned the idea into a time travel story. That idea morphed from the observation that travelling on the delta did seem like turning the clock back to days when travelling was a sedate pastime, when there was time to savour the atmosphere of a town, interact with the population, enjoy a journey without an itinerary and not worry about finding a cab to an airport.
It was with those things in mind that I cadged lifts, quite illegally, on cargo boats which ply goods through the lacy network of broad rivers and tiny creeks which make up the delta. To hop on an old cargo barge and negotiate a days travel with the skipper, with no notion of the final destination, is fun. Sauntering along at something above walking pace with a deep throated diesel engine powering you from village to village is a relaxing experience which no organised tour can match. Nudging into jetties as all manner of goods are loaded and unloaded – anything from eggs and bricks to chickens and rice sacks – is an insight into how the world used to be.
By the way, just click on pictures if you wish to enlarge them.
A small cabin, its ceiling low enough to make it impossible to stand upright, with rush bedding on the floor and simple wooden shutters which could be removed to allow a cooling breeze to slide though, was luxury. And cheap. A days travel would cost around five dollars and you are spared the ceremony of eating at the captain’s table. It was a good idea to take a few snacks along as well as bottled water. If you felt inclined you could go below into the crews’ quarters and steal a nap in a hammock. Crews invariably consisted of a husband and wife team and maybe a deck-hand. A real treat would be a pot of lotus tea and dive into a bag of coconut toffee sweets.
The Lightweight Photo Kit
I tend to specialise in travelling light – very light in fact. The photo gear on this trip amounted to nothing more than my Leica D Lux 5 and about 15 4gb cards.
I don’t backup images while travelling but do edit the obvious junk out ‘in camera’. I’ll also download a few shots onto an iPad each day to use when emailing friends. The intention of doing that is to make them feel green with envy while they work on their desk jobs in the big city, something I’ve never done. The notion of working at a desk in an air conditioned office is the greatest incentive of all to want to spend a life travelling and writing. Rather like feeling thirsty and hungry is an incentive to look for wine bars and restaurants.
There is a certain paranoia among photographers with regard to backing up images while travelling. I really never bother. I know one day I’ll lose something but I don’t really look on that as a matter of life and death. Obviously, If I have a really top shot, which is rarely, I’ll back it up – send it to the cloud or Dropbox. The reason I use 4gb cards is because (a) they are cheap (b) If I lose one I haven’t lost a truckload of pictures (c) the contents of a 4gb card fit perfectly onto a DVD which is how I back-up when I return home. So what happens if everything is stolen? Tough – I refuse to live in fear. It’s worth pointing out the advantage of travelling light – simply put you can keep all of your gear with you all of the time.
One great advantage of using small cameras is they are inoffensive. Lugging a large DSLR around in order to shoot pictures of people can be deemed offensive – small cameras don’t seem aggressive or intrusive.
The D Lux 5 or its successor, the D Lux 6, each with a 24-90 (equivalent) zoom are perfect for candid pictures and deliver very high quality. I’ve had a number of magazine spreads used from DL5 files and the quality is such I could kid myself the work was taken with a larger format camera.
I’m not going to rabbit on too much about the travelling, that’s saved for magazines, but I’ll put a few more pictures and captions in. Interestingly, while on this trip, I have produced one major story and several small ones. That’s to say one of about 2500 words and a handful of ‘fillers’ each of around 500-800 words and a handful of pictures. From the original shoot, which was done in RAW and high quality jpg, I edited about 100 pictures for the delta story. From those around 40-50 are sent for editors to work from with a note saying more are available.
This is a short series from various floating markets on the Mekong Delta. On these occasions I hired a boat and local boatman to get me around.
The original files are RAW but of these shots have been worked on from the jpgs, straight from the camera, and put through Silver Efex Pro 2, a great program to work with.
It’s in tight situations like this that the flexible 24-90mm zoom on the DL5 comes into its own.
Every small town and village has at least one market and they’re like a magnet to me. I don’t generally take less than flattering pictures of people but I couldn’t resist this one.
To give editors a wide choice of pictures when presenting them with a feature story it’s important to give a broad selection which takes many aspects of the story into consideration as well as making sure there’s a variety of vertical and landscape pictures. People always add life to a feature, they give a story ‘pace’.
These two men were sitting in a riverside cafe playing a board game. They could see there were no seats or tables free and the guy on the left stood up, walked over the road to another cafe and came back with a small table and chair and indicated for me to sit down. That’s the sort of kindness experienced all over the country.And I got a couple of reasonable pictures.
This man is a sewing machine repairer. He works from a small workshop with his wife. Language was a difficult proposition but with a bit of hand waving and pointing the old gentleman happily obliged while his wife looked on.
As I said, markets are a magnet. I don’t think I’m an exception in that as most street shooters tend to look on them as happy hunting grounds.
Wandering around Chau Doc, on the Cambodian border, I came across wonderful lady who lived under a bridge. She insisted on showing me her kitchen.
Dried fish! It took me a long time to realise what these were. I had assumed they were a sort of grass or seaweed but the tiny heads gave the game away.
A noodle factory on the banks of the delta. I have to admit that I tend to use the D Lux on a simple automatic setting. Thus the lens seems to operate wide open most of the time. I use the slowest ISO of 80 which produces extraordinary quality from a small sensor. I don’t mind a little movement creeping into pictures and in this instance the steamy atmosphere added a great deal to the image.
Viewed from my hotel room at Chau Doc. This is where many of the homes are floating on large oil drums and are accessed by planks from adjoining streets.
Looking for ‘filler’ shots is essential to give stories some character. These spotless white ducks were in a little creek off a main delta tributary. I’m not sure if they were waiting for their dinner or about to become dinner.
Graphic images are formed by the boats’ hulls.
Don’t you just love old technology?
May 14 2013 § 1 Comment
The Bonus of a ‘Business’ Trip
I may have mentioned before that the idea of going to Bali was to catch up on some writing and maybe take a few pictures. I booked the trip while remarkably low fares were available and arrived in a bucketing tropical rain storm. I did actually do some work, mostly while sitting on a beach with a cold beer on standby. I really don’t like offices.
When I booked the trip I’d forgotten that the Balinese New Year was to happen right in the middle of my time on the island. This is when, after a few celebrations which involves building giant monsters – the famed Ogah Ogah (read ogre) – representing the evil spirits said to roam the island. The object of New Year is to frighten these spirits and force them to leave the island. It’s a story which has been told a few times to say the least but I’d never witnessed it and in any event it seems to happen mostly at night-time which makes photography a little arduous.
As luck would have it I was staying in Padang Bai and the performance which is designed to frighten the local ogahs into a hasty retreat takes place in daylight. This was bonus for me.
In the morning I strolled around town, finding these colourful creatures having finishing touches put to their hideous bodies and watched them being hoisted onto frames, making it easy for them to be hauled through streets.
Padang Bai is small enough to walk around in ten minutes and it is not a tourist centre as such. It is a small port where ferries leave for a variety of islands such as Lombok. It’s also a popular dive centre. As the time came close for the procession of about a dozen ogahs to be paraded and ultimately destroyed the atmosphere became quite electric. I could feel good pictures in my bones.
Small groups of bands formed up. Kids, dressed in their brightest and best took up vantage points in the streets and I armed myself with my only travelling companion – the little Leica D Lux 5. “Bring ’em on” I thought. And they did.
All of the pictures were taken on the Leica D Lux 5, a perfect camera for travelling with. The 24-90mm (equivalent) lens offers a useful range from wide-angle to a short telephoto.
I keep the camera on auto everything. I have three basic programs. The first handles colour with an ISO setting of 80. The other two are B&W set to 80 and 400 ISO. I find this combination is pretty much perfect for everyday shooting in reasonable light. The D-Lux 5 has now been superseded by the D Lux 6.
Apart from a few holiday snaps I did the bulk of my shooting in one day. From about 350 pictures I edited 35-40 which formed an excellent back up to a short story about the New Year celebrations.
As a matter of interest these days I specialise in travelling light and producing stories and pictures which I syndicate. I am running a workshop at the Ballarat Photo Festival. If anybody is interested check out the details at <http://ballaratfoto.org/garwood-workshop/> This will lead you to the home page. Look for “Participate”, scroll to “Workshops”.
I may meet some of you there. It’s going to be great festival.
April 28 2013 § 6 Comments
Each year Australia and New Zealand commemorate what is possibly the most venerated period of their history. At dawn on the 25th April, 1915, off the coast of Gallipoli, tens of thousands of troops landed on the beaches in an attempt to push through to Constantinople. In prolonged fighting over 8000 Australian troops were killed and the campaign, though a significant defeat, ensured that Australian and Kiwi troops gained a reputation as being among the toughest fighters in the world.
A dawn services marks the beginning of a day when families, many of whom lost relatives, assemble at memorials throughout the two countries. The day starts in a solemn manner but later, following what is known as a Shotgun Breakfast in many halls and clubs, lashings of bacon, eggs, hot tea and rum are served to anybody who cares to join in. Following this a parade of old diggers and sailors as well as younger military people march through towns. The day becomes a celebration.
I’ve been taking pictures of Anzac Day for about 36 years now, the first in 1977 in Perth but mostly in Fremantle which has a very homely and slightly disorganised feel about it. The military precision is not quite as precise as the bigger events.
I have generally used the occasion to wander around and shoot a few street pictures, mainly to record the event but also to keep myself tuned up. Until recently I used a Leica M6 with a 35 or 50mm lens though the earlier pictures were made with an M2. Invariably I used film, initially Tri X, more recently T Max 400 but for the last couple of years I have used a little Leica D Lux 5. I’ve found the 24-90mm (equivalent lens) and the B&W jpg processing in the camera to be excellent.
Here’s a selection of pictures from this years event with a couple from previous years.
This shot was taken as the old fellow was being wheeled onto the parade ground. Just before he joined the parade he whipped out a hip flask and knocked back a sly swig or two. Can’t blame him really.
This is one of my favourite shot. Taken in 1977 at the Perth parade. This old digger had walked over to what I assume were his regimental flags, removed his hat and stood contemplating them for several minutes …..